The actor’s work on stilts is primarily about visibility. Being taller automatically means being more visible. Secondly, the work on stilts is linked to disproportion, a condition that obliges the actor to use his body/movement instrument by amplifying and dilating gestures and theatrical actions.
Theatrical actions. A performance on stilts must take into account both elements:
Visibility and dilation. It is not enough to dwell on the first of these two, as it is essential to be aware of the disproportionate of the actor’s body.
The work that will be developed in the field is based on the learning of rhythmic sequences and small choreographies to the rhythm of Flamenco, thanks to the supervision of the teacher Carmen De Miguel, and will be further expanded and enriched by the dramatization that will be identified within the residency. All these compositional parameters will lead to the final collective performance.